Moving Like Pond Water examines the soul-altering effects of war and the restorative power of creative expression.
Moving Like Pond Water is a military term denoting slow movement, metaphorically reflects the gradual process of personal transformation and societal change.
The film participants are diverse, encompassing multi-generational, multi-cultural, BIPOC, and LGBTQIA+ individuals from varied socioeconomic backgrounds including Veterans, active military members and their families, art activists, and humanities scholars. Moving Like Pond Water honors the creative healing power within each of us.
Moving Like Pond Water aims to create ripples of change by encouraging public engagement and creative projects to harness the healing power within each of us to face some of the questions of our times that often feel too overwhelming to confront alone.
Our film provides a nuanced exploration of the human experience of war, trauma, and resilience.
With the current political strife, that is not going away anytime soon, war(s) and environmental concerns, Veterans issues are lost in the fray. What is the solution to Veteran isolation? Does the solution hold key insights for society? There is a well-documented epidemic of loneliness and isolation in our culture. Today, 1 in 2 adults report experiencing isolation and loneliness, which increases the risk of premature death by nearly 30%.
Our film project is inspired by a collaborative art project produced by Mil-Tree Veterans Project (Mil-Tree) based in Joshua Tree, CA “Tapestries of Transformation'' in response to the Veteran community they serve.
Mil-Tree continues to grow and expand its in-person outreach and programming to serve the local veterans of Riverside and San Bernardino Counties and welcomes veterans from across the US into our community through remote participation.
Is it possible to go to war and come back mentally sound? Moving Like Pond Water asks this question, among many others, through stories shared, some for the first time, by Veterans and their families.
This documentary shares the connection between art and human resilience as experienced by Veterans. Director Cheryl Bookout set out on a quest to interview U.S. Military Veterans and their family members leading with the question “So, tell me, do you have a creative activity you pursue?” Without exception the answer was always “yes.” The activities include blacksmithing, spoken word, glass sculpture, novelist, playwright, painter, muralist, ceramics, filmmaker, and more.
The primary film participants are diverse, encompassing multi-generational, multi-cultural, BIPOC, and LGBTQIA+ individuals from varied socioeconomic backgrounds including Veterans and their families, artists, art activists, and humanities scholars.
The broader issue explored in the film is the ability to harness the creative power within each of us to face some of the questions of our times that often feel too overwhelming to confront alone. This film provides a nuanced exploration of the human experience of war and trauma.
Moving Like Pond Water immerses viewers in Veterans' experiences without a narrator. The film’s story unfolds using the three-act structure. Combining interviews, archival footage, animation, and photographs, the film brings stories and history to life, bridging the past, present, and visions for the future.
Fun fact: Following World War II, because of the GI Bill, Veterans redefined art schools throughout the nation, including the Art Students League of New York, the communities at Black Mountain College and the San Francisco Art Institute. Despite widespread influence, the impact of Veterans on the art world receives little consideration within American art history.
On August 8th we had the privilege to have a conversation with filmmaker and U.S. Military Veteran Foster V. Corder. Foster shard with us that his military service saved his life! He joined the service on November 11, 1971 by forging his birth certificate at the age of 15 to get away from a street gang on the south side of Chicago. Foster relates that 95% of the black men who grew up in his neighborhood are either dead, incarcerated or paralyzed from gang violence. Foster decided to forge his birth certificate and join the Navy when he, his brother and five of their friends were hog tied while 20 men beat them for about four hours. He knew he needed to get away from Chicago and that was the last straw.
Foster’s interview is compelling and full of surprises as it creates a visual path that led to his career as a successful filmmaker with over 127 credits on his IMDb profile.
We did it AND it was an amazing 2 day film shoot with Colonel Grethe Cammermeyer and her lovely and talented artist wife Diane! There are no words to express the gratitude for the gracious generosity and kindness shown to our entire film crew by Colonel Cammermeyer! This has been one of the greatest highlights of our filmmaking journey and we can't wait to share the results with you!
Colonel Margarethe Cammermeyer was the subject of the 1995 film “Serving in Silence” starring Glenn Close. The Colonel’s story is remarkable. In 1988, as part of military security clearance she disclosed she was a lesbian. By regulation, homosexuality was incompatible with military service. Colonel Cammermeyer was discharged from the military after 25 year. She challenged her discharge and in federal court, won and was reinstated. Colonel Cammermeyer continues her work as an advocate for social justice.
Serving in Silence was the first made-for-television film Barbra Streisand executive produced (along with Glenn Close, Craig Zadan, Neil Meron, and Barwood Films’Cis Corman). It aired February 6, 1995.
Vietnam Veteran of the Army’s 101st Airborne, Michael Aschenbrenner, recounts surviving an injury during combat, binding his broken bones with strips of his uniform until rescued. Now a renowned glass artist, he shares how art classes during his year-long VA rehabilitation inspired his collection, Damaged Bones, featured at The Met in New York. On-camera interview and cinema vérité captures Michael in his home and glass studio, blending his past and present through art.
On October 5, 2024 it was with extreme honor our film team visited the Wall of Faces and came away with an incredible segment to include in Moving Like Pond Water.
It started as a temporary exhibit, opening on July 4, 2016 after former President Barack Obama asked communities to honor Vietnam veterans in 2012.
Veteran and Museum Co-Founder Hector Leon explained, “The way we started is we were going through the high school annuals, and were saying, ‘Okay, well, this guy, this guy was in...' and then we started asking the folks for help. And little by little, it just grew.”
The museum has expanded beyond just Vietnam veterans. It now highlights all those from Douglas who have served in the U.S. military.
Co-founder Ginny Jordan shared with us, “Basically as long as a man’s story is told they do not die, so you tell their story.”
She and other volunteers have spent the last seven years doing just that.
The Wall of Faces Museum is sharing stories of about 800 veterans who are from the town. This museum is located in the Gadsen Hotel, Douglas, Arizona.
Photo: Wall of Faces Museum with Ginny Jordan (left), Veteran Hector Leon (center) and Veteran Yolanda Gastelum Nora (right)
Photo: Gadsen Hotel Lobby with Veteram Yolanda Gastelum Nora (left) Vector Hector Leon (center), Ginny Jordan (right)
Fun Fact: Hector shares his fictional stories on his Facebook page @HectorFLeon
The entire film team is dedicated to Moving Like Pond Water with the goal of creating ripples of change by encouraging neighborhoods to produce creative arts programs for Veterans and a holistic approach to social justice and overlapping health issues.
Research & Development began in February 2023 and principal photography launched on January 17, 2024. To-date we have filmed approximately 21 location interviews, 6 performances, 4 Veterans art workshops, plus drone footage and cinéma vérité relevant to the interviews. We look forward to keeping you updated on our filmmaking journey.
My connection to the Veteran community is deeply personal, it is embedded in my DNA. My father served in the Marine Corps and my mother in the Navy, meeting during WWII. After the war, they faced challenges in an era before PTSD was acknowledged or openly discussed.
For 30 years I have been an artist, arts activist, and filmmaker, committed to fostering inclusivity and amplifying the transformative power of art. My life’s work is focused on collaboration with artists, filmmakers, and communities to challenge dominant narratives and expose societal injustices. ~ Cheryl Bookout, Director (photo by Penelope Valentine)
More about Cheryl here.
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